Stone Fascism
“The Fascist regime, as Emilio Gentile tells us in this new and intriguing essay, was not only about rhetoric, but also painting, sculpture, architecture and urban planning. Gentile confirms himself the true Italian heir of George Mosse, attentive, as the German historian was, to aspects of the aesthetics of power.” Dino Messina, Corriere della Sera
"The era of the regenerating pickaxe had begun. For Mussolini it was the tool-symbol of a frenetic activism that ended by considering Rome and its past and future architecture – as Emilio Gentile well explains – as an arsenal of myths and repository of imperial destines, but also the target of resentments against the eternal city that Mussolini nurtured ever since his youth.” Filippo Ceccarelli, La Repubblica